I animated the full graphic package for a documentary series aired on KAN, focused on real estate in Israel and the people shaped by it. The series blends personal stories with broader urban themes, capturing the complex relationship between people and place.
All visual design was created and directed by Sohini Tal. My role was to bring her designs to life through motion—developing the timing, transitions, and animated sequences that gave the package its rhythm and energy. This included titles, lower thirds, interstitials, and other on-air graphic elements.
link to project page
Technique: 2D Animation, Cutout
Client: Kan 11
Collab: Sohini Tal
Year: 2025
Animated Sohini Tal's designs and direction for the Tel Aviv City Council project, showcasing the city's green spaces. Using a collage of real photos, the animation raises awareness of these natural areas, encouraging residents to explore and enjoy them.
link to video
Technique: 2D Animation, Cutout
Client: Tel Aviv City
Collab: Sohini Tal
Year: 2024
At KAN Be’emet, KAN Digital’s desk for economic and social explainer, I wore multiple hats: designing, animating, editing, and sometimes directing videos that made complex topics accessible to a broad audience.
Working closely with the editorial team, I crafted fast-paced, data-driven content for the social platforms of Kan. always staying true to the project’s tone and visual identity.
link to project page
Technique: 2D Animation, Cutout
Client: Kan
Collab: Kan Beemet team
Year: 2017
Shira Raa ("Bad Poetry") is a fully 3D animated music video I created for an unreleased track by one of Israel’s most iconic supergroups. Spanning six minutes, the piece blends surreal visuals with narrative-driven motion, designed to complement and elevate the tone of the song.
I developed the project from the ground up—leading concept development, visual design, 3D animation, and final rendering. The result is a rich, atmospheric journey through a world shaped by abstract poetry and emotional tension.
While the official release is still pending, selected visuals and behind-the-scenes process work are available as a sneak peek.
Technique: 3D Animation
This motion graphics package was created for an editorial-style video series by The New York Times Research & Development department, which explores the future of storytelling through emerging technologies. The series showcases how journalism can evolve through data, interactivity, and innovation.
Working as part of a small creative team, we developed a clean, tech-inspired visual language that supports the tone and complexity of the content. The animations draw from UI elements, data structures, and lab environments—bringing a subtle sense of motion that enhances the storytelling without overwhelming it.
link to project page
Technique: 2D Animation
Client: New York Times
Collab: Adam Blaufarb
Year: 2021
This music video for French group La Pluie reimagines Alain Souchon’s Sous les jupes des filles through a fully 3D animated environment. The video tells its story solely through objects, with meaning revealed via camera movement, rhythm, and the spatial arrangement of elements.
The concept for the video was developed by my colleague, Maxime Sabourin, and I worked closely with him from the beginning to bring this vision to life. My role was focused on executing the design—developing the 3D environment, animating the camera, and overseeing the final render to ensure the narrative unfolded smoothly through the movement of objects.
link to video
Technique: 3D Animation
Client: La Pluie
Collab: Maxime Sabourin
Year: 2022
In collaboration with the Madatech content team, I led a small group of animators to help bring the Neustadter Innovation Center at the Madatech Museum in Haifa to life. The center offers interactive multimedia experiences, educating visitors on the past, present, and future of innovation and invention.
Our team created dynamic motion graphics that simplified complex concepts, using engaging and visually accessible animations to communicate the stories behind groundbreaking technologies. The goal was to make learning fun and easy to grasp, enhancing the museum experience with clear, impactful visuals.
link to project page
Technique: 2D Animation
Client: MadaTech
Collab: Fast Music Ltd.
Year: 2023
Lou's Cruise is a short independent animation that follows a digital man breaking free from his mechanical routines to return to his primal roots, set to music by Berlin artists Sferics and Tooth Decay. The film earned recognition as a Finalist Student Film at Animix (ILS) and won the 1st International Animation award at ATSFF (IND) in 2016.
Technique: 2D Animation, Rotoscope
Client: Personal Project
Collab: Sferics, Tooth decay
Year: 2016
Created a video for the Dead Sea Research Institute’s welcoming center, capturing the unique, enchanting atmosphere of the Dead Sea region to introduce visitors to this extraordinary landscape and its significance.
Technique: 2D Animation, Rotoscope
Client: Tel Aviv University
Collab: Inbar Maor
Year: 2016
Created an informative video for the city of Tel Aviv, guiding residents on how to locate and use shelters during emergencies. Designed by Sohini Tal with a calm, approachable aesthetic, I led the motion design elements to create a graceful, clear, and engaging platform for communicating vital information.
Technique: 2D Animation
Client: Tel Aviv
Collab: Sohini Tal
Year: 2024